Anxiety

Please view the rest of the finished paintings at http://www.flickr.com/photos/smthngtwenty/sets/72157604879288514/.

In retrospect at looking back at my finished project, I could've done this differently. As a former Statistics student, I know all about populations, scientific method, etc. I don't remember all the terms, but I remember the concepts. I know that in order for surveys to work, that the people taking the survey must be representative of the general population, racially, financially, location-wise, gender-wise, etc.
In this case, I made the mistake of only asking my peers to take part in this experiment. My peers, all of which attend art school and are visual people, know how to display their anxiety in a tangible manner. They didn't need much guidance or explanation, just that I was doing a project on anxiety and that I needed them to display their own anxiety with the string. The better way to do this, would've been to ask strangers. The doorman of my apartment building, the twelve year old tourist walking with her parents (with their permission, of course), a teacher, an elderly person, a George Washington Law student. Generally people who would look at me at me like I was crazy when I asked them. Instead, with the people I asked, they automatically used the string in a way that connected with their personality, which made it very easy for me to choose the colors in which to depict them.
If I had used people who were less visual, would the string have connected with their appearances? Would they have just pretended, or would they have done as well as my peers? Would they have been less sure of themselves, would they have recognized their anxiety and the positive or negative ways they dealt with it.

This project was therapeutic for me because there were several stressful situations going on at the same time I was working on it. The time spent on it gave me the chance to think about the way I deal with my anxiety, and to think about how I myself would've displayed my anxiety with the string. Due to this project, and the situations that were happening around it, I hope to learn to deal with my anxiety in a better way, and to grow.

Colors in Emotion

About four million adult Americans, the majority being women, suffer from extreme anxiety disorders. Symptoms can be physical, like severe headaches, nausea, the need to use the bathroom, insomnia, and exhaustion; or they can be more mental, such as excessive or exaggerated worry or nervousness, irrationalizing, restlessness, and being easily startled. Anxiousness is an emotion that greatly influences how you live your life, whether you are more anxious, or less so.
“Emotion” is defined as “a natural instinctive state of mind deriving from ones’ circumstances, mood, or relationships with others.” Emotion comes naturally, as it is natural to feel sad if a family member dies, or happy if you were to win a contest.
There are seven core emotions, listed as happiness, surprise, fear, anger, sadness, and contempt. Interestingly enough, the majority of the emotions- five, actually, are negative. One is neutral- surprise, and only one is positive, this being happiness. Most of the emotions are negative because negative emotions are more necessary for survival. In animalistic terms, a dog could be afraid that another dog might steal its food, a dog could be surprised that another dog stole its food, then could have anger and contempt toward the other dog, enough to attack the other dog and retrieve its food. Happiness lasts very shortly, as long as it takes to scarf down a meal in comparison to how long it took to rescue the meal.
The seven core emotions as listed above can be expanded and mixed into more complicated emotions such as joy, satisfaction, amazement, curiosity, rage, annoyance, loathing, boredom, grief, pensiveness, terror, and yes, anxiousness. The mixing of emotions can be compared to making a color wheel or making a gradation scale with paint. The way adding different colors or shades of black and white can bring a color to a whole other level, just as different inside and outside influences can make an emotion feel very differently. One could be in a good mood “just because” but something great could happen and then you’d feel “joyful.” You might be in a bad mood and the day could be very normal and average, so you might just be bored.
This concept can be expanded on in the sense each main emotion could have base color. But, interestingly enough, the colors could be the same. Happiness, in my opinion, is a bright color that could be a beautiful sky blue, or bright yellow, or even a light pink.
Surprise is a neutral feeling that could be gray, or possibly a yellow, although not as bright as happiness. It could even be a brown, since you need every color to reach that shade.
Fear, again could be a garish or even greenish yellow, or bright shade of an explosive red. Red could also be anger, and anger can always be Black. Sadness could be shades of blue and purple, and contempt, for me, dances closely to envy, which is always green.
Everyone experiences these emotions, which especially shows through facial coding, which is a system developed by the scientists by Paul Ekman and Wallace Friesen in 1976 to catalog emotions all around the world. This system found that everywhere, even people who live in isolated third world villages, even those who are blind, react facially the same way you or I would. Everyone smiles or laughs when they’re happy, everyone cries or frowns when they’re sad. Everyone’s eyebrows furrow down in anger. Which means, that no matter where you go, even if you don’t understand the language spoken, you can at least rely on the faces people are making.
My final project will combine the idea of the seven core emotions mixing and combining to create different sides of anxiety, whether it’s a looser, calmer “it will all work out fine,” kind of anxiety, or a tighter more negative angry, sad side of anxiety. Several paintings will depict different people playing with thread, wearing different colored clothing and with different background colors. The most blatant symbol of anxiety in each painting will be bright red thread tangled up in each persons’ hands, tangled more so if they are more anxious, or hanging between their fingers if they are less so. I chose the color red for the thread because it is a strong, passionate, and noticeable color. The background colors used will be a little more subtle symbols of anxiety. Each painting I will choose colors, that if mixed together, will either form a more positive or negative symbol of anxiety, and these colors will be the title of each piece, for example: Red + Blue. By doing these series of paintings I hope to combat my own anxiety and the negative way I approach it. The project will widely be open to interpretation, and is also strongly personel in how I view the colors and the way I associate them with anxiety.

Final Proposal

Research: Anxiety, how people deal with anxiety and surrounding emotions, human reaction

Materials: Canvas, acrylic, sharpies, pen and ink on paper

Objective:
As a person who often has intense anxiety problems I wanted to do a series symbolizing anxiety and how people tend about worry at situations until they are a much bigger problem then originally. For my final project, I will paint and draw realistic portraits of people playing with bright red string. Skin colors will remain duller then usual, while the string will be almost too bright, symbolizing the intense feeling of anxiety. I will do a minimum of three variations of this idea, with the string becoming tighter and more tangled up through the progression of the portraits. This idea is based on a theory from the book Emotionomics, by Dan Hill, in which he compares mixing colors to mixed emotions.
This makes sense when applied to anxiety could mean you’re feeling sad but also scared that things won’t get better, that situations could get worse. You could be angry but confused, in the same way colors such as grey have blue, green, or even purplish tints.

To connect my pieces to color, I will relate each color to a kind of an emotion, such as red equals anger, blue equals sad. Then, I will title each painting a mix of those colors, like “Red + Blue”, which would, in
this context, become its own brand of anxiety. Red being anger and blue being sad, this would mean this painting would be a more negative side of anxiety while if yellow, were to equal happy, and you added blue, this could be a more positive butterflies-in-your-stomach kind of anxiety. This title would bring the piece in full circle back to the subject pulling at the ball of string until it becomes a bigger problem then it was originally.

What Does Your Favorite Color Say About You?

A couple years ago I got to know people by asking their favorite color. It’s an icebreaker, and it’s a way to know somebody, slightly. I believe in auras and favorite colors can apply to that, although not always. My favorite color is pink. That speaks to my more girly, fashion-oriented and materialistic side. My romantic side. My roommate’s favorite color is orange, which makes sense to me because he likes to be loud and outgoing and sometimes it’s kind of annoying but usually it’s a positive thing. Most of my pot-smoking friends say “green” for obvious reasons. Blue is calm, but deep. It reminds me oceans and my ocean-eyed boyfriends. My friends that say their color is blue are generally easy going and have interesting views on life, whether negative or positive. Yellow, depending on the shade, applies to my bright, optimistic friends. Red is a more passionate version of orange. My brother’s favorite color is red. He likes to be strong and macho but also has his sweet moments, when his buds aren’t around. He’s grown up now, but I still remember when his favorite color was “bubblegum.”
Your favorite color doesn’t really need to say anything about you. It doesn’t have to be analysis of the deeper parts of your personality, and this idea is mostly based on stereotypes and my experiences with my friends and their favorite colors. Or their lack there-of. Some of my friends didn’t have a favorite color and tended to be worse at decision making, creating plans and following them, but they were content with that. Friends who said they liked all of them were kind of the same way but more optimistic and a little more ADD.
But, really, what do I know?

Color In DC

Downtown DC is colorless. It’s filled with plain business suits and drained looking people. Bleached white monuments and grey pavement. On the bad days I’m bored. Black secret service cars, the most color you see is homeless peoples’ ragged carts filled with their lifestyles and ambulances’ flashing lights leading to GW hospital. Georgetown, despite all the popular stores like Urban Outfitters is colorless and bland in itself, lacking a lot of diversity in the rich GW students, business suited men going to lunch and the odd hobo begging for change. Most of the time I love DC, especially on sunny days, but I miss large green parks that more people then just drug users and hobos sit in. I miss the blue lagoon across from my house at home. Sometimes I come home from school feeling grey like everyone else in this city and I don’t question the fact that Washington was rated one of the ugliest cities in the US. Everyone’s stressed and tired all the time, and I felt most at home when driving with the windows open on a sunny, windy, warm day around Arlington Cemetery and the Park Way. Growing up in Wisconsin where fields and farms and trees and hills are plentiful you forget how much you take the color green for granted. Green is the color of things that are alive, and on bad days, Washington, DC is the color of things that are dead.

Issues In Color

Milwaukee, Wisconsin is still one of the most racially segregated cities in the Midwest. A good friend of mine, who’s a Russian immigrant who moved here when he was six, remembers living in Milwaukee in a time when there was still a pretty real Russian district. Even now it’s still easy to tell when you cross cultural lines, whether it’s in the downtown Third Ward White bread part of the city or the darker Marquette university area. Race and color are still a pretty real issue in our society. Being black or white or all the colors in between still creates severe stereotyping, and minorities still make less money then the average white person with the same job. We’re finally at the age when it’s very possible that a black man might be voted president, and the thing that’s still sad is that it took so long.
I grew up at the most diverse high school in Madison, Wisconsin, which is the second most diverse city in Wisconsin after Milwaukee and definitely more integrated, but still relatively white bread compared to most cities of the US. At the end of the year the state newspaper printed quotes and thoughts about graduating from various valedictorians from different Wisconsin high schools. One student talked about how his student body would have to be in much more culturally diverse situations and that would be a big step for them, which honestly was alien to me. The year before that there was a situation at a basketball game where the rich private school started chanting statements remarking on our large poor student body, saying “Food Stamps clap clap Food Stamps” and “Your dad works for my dad.” It of course almost caused a huge fight and I still think those students deserve to get the crap beat out of them. The idea that anyone would think that something like that would be remotely okay just blows me away. I’m saddened by the issues that should already be past, whether its race or genders or homosexuality. All differences should be celebrated, and risking a terrible cliché, like a rainbow.
This past year I painted a mural for my school, which pictured me and two friends, a white girl and a black boy. I’d never really painted anyone of color before, not really because of any reason other then I’ve only really painted self-portraits. Painting my friend was a large challenge. He’s got beautiful chocolate skin and the best smile of anybody I’ve ever met. But you don’t use just browns, but also oranges and pinks and purples. Chocolate has so many amazing shades. I can’t say I was blown away but this discovery, as if African American people are automatically just one color, but I’d never examined anyone’s skin color so closely before, if only just because painting pale skin colors comes naturally since I look at my own pale skin every day. I’m proud to say the murals done by me and my other friends’ displays all different kind of students, colors, beliefs, and lifestyles. We are diverse and I’ll always be proud of where I came from, especially coming from generally White Wisconsin.

Dark And Light

I never really used to understand why Black and White aren’t technically described as colors, until recently. When I was little, they were still colors in a crayon, so what difference did it make? It was one of those statements like my fourth grade teacher saying, “There’s so such thing as can’t.” Kids can’t take things conceptually. Everything’s so literal. “Can’t” is a word. And that’s that.
Black used to dominate my wardrobe, and now I really understand how devoid of color I really was. Wearing black predominantly makes you look paler then you are and you’re not very approachable, Black doesn’t reflect light, it swallows it.
White, on the other hand, is of course; also colorless but is nothing but light. It tints light instead of takes over it, when mixing paints or pastels.
I used to only draw with charcoal, just black, and maybe some white accents. Painting opened me up to a whole new world of color and understanding and expression. I love skin colors, and how subtle things like veins and blush and shine in the hair. I filled my sketchbooks with acrylics and sharpies, layering colors and cutouts and sketches on top of each other.

Taste, Smell, Feel, See

Red is dry skin, itchy contacts, and too much marijuana on April 20th. Discomfort thrives on the most passionate color, and the most bitter of people would apply that statement to love, romance, paper hearts and Valentine’s Day. But red doesn’t really remind me of any of things. Tomato sauce, yes. Beating heart, blood on the floor, maybe. But not love.
Yellow reminds me of flowers, first. Starting with sunflowers, and of course that connects to the sun, the kind children draw when learning about planet alignment, a yellow circle starburst, usually with sunglasses. We thought we were clever.
Yellow makes me think of the Simpson’s, Jaundice, and ugly upholstered La-Z Boy chairs.
On bad days it reminds me of sickness, of not enough sleep and the stomach flu, like the color my vomit was the day I went to GW hospital.
On better days yellow is the color I wear when I’m feeling well. I like being sunshiny, some days.
Blue is robins’ egg, the sky on clear days but not in places like Seattle or Denver or Beijing where the smog doesn’t let the grey go away. Blue is a newborn infant’s thin, delicate skin with the veins showing through, and my favorite pair of blue jeans. Blue is the southern parts of the oceans, and the color of almost all my boyfriend’s eyes. Strangely enough.
Tomato sauce plus Denim blue equals eggplant, plums, and grapes, a wide range of fruits. Bruises and Welch’s grape juice, violets. Sunflowers plus baby’s veins showing through skin equals wheatgrass and kiwis, cactuses. Live things like to be green. Valentine’s Day and the Simpson’s makes for a quirky television show and citrus-ey things like Oranges and Cough medicine.

Colors In Thoughts

I think in colors. Days of the week, schedules, I envision as almost a Candyland map. Each day has a different color, and I almost have to graph my days out in my mind to keep straight when I have to wake up, when to go to what class... My mind is highlighted for me. I find it fascinating the different ways people think and what different flashes of color mean to them- how can you can see a flash of red and be automatically reminded of something. How we can imagine music to have it's own color scale along with its music scale, flowing up and down around your mind.

http://www.flickr.com/photos/smthngtwenty/

I never really like a ton of realism when it comes to my drawings. Colors are more like accents, and there's usually only one or two colors used. When it comes to painting I'm usually pretty realistic when it comes to color palette.
I don't really think about it, either. I'm not picking pink because it's girly, or because blue is sad, it's just whatever feels most natural.
Sometimes I feel that the art world over analyzes things. Yes, the painting has meaning, sometimes more obviously then not. Frida Kahlo wanted you to think about the symbolism, but not everything has to mean something. Sometimes the painting's red because you like the color. Not saying that my work is meaningless. I just get tired of the analyzing.
Yesterday in Doug Lang's writing class we were talking about how going to an art school really effects you in a day to day way, how instead of just seeing a neon yellow traffic sign we think "ooh, colors!" and how we observe the color palette used on the mannequins in clothing stores. We critique everything, and we have a harder time appreciating things as they are.

Growing Up With Color

I've always loved color. When I was younger I'd constantly bug my mom for only wearing earth tones- even now I generally eschew the color brown within my fashion palette. (Excluding boots belts, and eye make-up.) For me color doesn't right away bring up social issues such as food processing. Instead, it reminds me of childhood, of bright colored toys, clothes, and days. I appreciate how important getting your favorite color of whatever is to children, and how it leads a lot of their "decision making" when choosing new toys or clothes or which marker to use. That's part of the reason I chose the picture of the old shoe in my last blog. That children's sandal being found in an abandoned village was so poignant to me. Chances are the child didn't get to buy their shoes by color- the part of El Salvador I was in is pretty poverty stricken.
I just see it as such a small thing- getting to have something the shade of your favorite color.

This summer there's a pretty good chance I'll be working as an intern at the American Girl headquarters. American Girl is the company that makes the dolls that are from different periods in American History. American Girl is all about Girlpower and good self esteem and acting like a kid when you're a kid, which is an interesting juxtapose, since Mattel owns American Girl. Mattel being the company that owns Barbie dolls, which are pretty much opposite of the stocky American Girl dolls who look like they would be young girls instead of the 20-something super thin barbie doll.



I'm glad there's at least some company advocating for girls to just have fun, be the young girls they are, to like animals and colors and reading or whatever it is they do instead of growing up too fast.

Yeah... With Color!

Color is one of the first things we learn to want. As children we were given brightly colored plastic toys to hang above our cribs. The reds, greens, yellows and blues caught our eyes and we slowly learned to reach, to grab for what interested us. We also learned meanings behind the colors, such as pink for girls and blue for boys.
Even now, we assign feelings and ideas to different colors. Bright pink for girly, red for passion, whether it be love or anger. Green for sick, yellow for happy, and blue for sad.
More so, colors are used in advertisements to grab our attention and make us want to buy the product. Bright yellow suns are on put on tanning lotion, pink for barbie dolls and breast cancer awareness yogurts. When shopping, we usually tend to go for the recognizable colors, fonts, and logos. From everything from shampoo to ham products, we eschew generic and unrecognizable brands.

Performance Art

I unfortunately missed the performance art day, so I can't really talk about what all that was like. I can say that after watching various performance art videos that I can't say I'm impressed. I know that they're supposed to convey a very direct feeling or idea, and at the same time cause a reaction, but I just can't take them seriously. Performance art should be dance, theatre, not people playing with food and scaring people on the street. That reminds me more of Jackass.

I did find one artist (thanks to Rachel Fick's blog Love Letters From Laser) who does a series of very strange performance art videos that he posts on youtube. His name is Ryan Trecartin, and according to Rachel, his kind of work is all the rage in New York City right now. Here are some examples of his work:





And here's the link to his youtube account: http://youtube.com/user/WianTreetin

Upon first viewing his video, I couldn't help but be intrigued. It has an interesting, materialistic view on our generation, and I enjoyed it's fast, colorful showing. It's very entertaining!

Here's my performance art video. Thanks to Jason Bowers for his participation.



The point of performance art is to interact with the audience, and to cause a reaction. Our piece was fun and engaging, if not kind of awkward. I like how the film is in black and white and makes it try and be a old horror film, even though it's obviously not serious. People on the street usually reacted in a positive manner, if not a little surprised.

Enjoi Skateboards Logo

Enjoi is a skateboard company with a panda bear logo. Their logo is a panda, which could stand for a lot of things, but because of the way they use negative space to their advantage (the way the panda's white fur usually blurs with its background) and use the same panda side view pose, it is easily recognizable. It is also only black and white, which makes it easier to reprint or replicate with color. It's not too complicated- so it can be resized and printed on a variety of objects, such as t-shirts, skateboards, etc. I'd say this is a very strong logo for a skateboard company.

Newseum: Too New

A few years ago I went to the National Archives building here in Washington, DC. Before entering the vault o see the Deceleration of Independence and all those important documents we had to watch a short play involving two way mirrors to give the idea ghosts were around telling stories about our nations history. While it a relatively interesting story, I couldn't tell you want it was about today. But, I do remember that I was ready to move on as soon as they ushered us into the small theater.
Unless I plan on going to an Imax, watching a video/play in a museum is the last thing I want to do. I like to browse in museums, go at my own pace and kind of mull things over in my own world. Big dramatic set-ups tend to throw me off, and they usually tend to be even a little tacky.
That's why I really appreciated Blake Gopnik's article "Art Museum Expansion: A Conservative Trend?" There is nothing more annoying then clogs of people surrounding pieces. These days it is impossible to the Mona Lisa- she's surrounded by loud, disruptive tourists all clamoring to get a snapshot of her. Viewing art shouldn't be a race- it's supposed to be in a tranquil setting, with lot's of room to stand back and view.
In some ways I understand the museums' expansions, but more so for the amazing architecture's sake. Modern architecture is only getting more out there, but it tends to take away from the art (Which was sometimes the argument on buildings such as Frank Gehry's Guggenheim Museum in Spain).
When it comes to museums, I most relate to those who hang on to their eight track tapes, their records and their type writers. While the Newseum's website will be interesting and helpful when doing research (not unlike understandingduchamp.com) it's just not the same as viewing the real thing in person.
I mean, I've seen countless photos of the Mona Lisa, but can I really say that I've seen the Mona Lisa in her entirety?
Not until I get to Paris.

The Large Glass: Marcel Duchamp

Marcel Duchamp is an interesting character in general. I’ve always appreciated his “found art” such as “Fountain,” and his painting “Nude Descending a Staircase.” In the case of “The Large Glass,” I am not so impressed.
I do agree with parts of it, depending on how well I’m reading it. Whether he’s talking about marriage, intercourse, or love, it can become a routine in an assembly line, with different kinds of machinery and reactions, but it appears to be so bitter and lacks a lot of hope when it comes to relationships. The Glass is clever and thought provoking, but it’s also very crude.
To me “The Large Glass” was made to tease the viewer to make their own decisions of what it means, at the same time giving a strong insinuation to a certain kind of idea, judging by its full title “The Bride Stripped Bare By Her Bachelors, Even.” Which is probably true. As Tomkins says, Duchamp didn’t want the Glass to be his autobiography, or his self-expression. Well, what was the point then?
And when he left it unfinished, did he leave anything key to the understanding out?
Part of what turns me away from it is shallow and superficial. I don’t like the mechanical depictions; I don’t find them interesting to look at and without the explanations of their meaning it’s hardly worth bothering with. After reading Calvin Tomkins “Duchamp: A Biography” and Andrew Stafford’s understandingduchamp.com I still feel confused about the inner workings of the piece and why he bothered making it, and what he wanted to convey to the viewer.
Tomkins said that if you approach Duchamp’s work with a light heart the rewards are everywhere in sight, but I can’t laugh at The Large Glass. I don’t find it funny. The sexual undertones seem dark and demeaning some how, and the mechanical setting is just another Science class to me. (And I didn’t do very well in any Science classes.)
If I hadn’t read Tomkins paper I probably would have assumed he was hostile toward women and marriage, and that he had a lot of problems within his love life.
It’s also frustrating that he needed the Green Box to explain “The Large Glass.” While Calvin Tomkins, in “Duchamp: A Biography”, as well as understandingduchamp.com, states that the Green Box and its notes (created by Duchamp himself) is essential for its understanding, I feel that it defeats the purpose of its making. Not that I would have the notes be destroyed or unread, but he left the notes specifically for viewers, not just for his own personal records, and in this kind of art it just doesn’t seem to fit since he was trying to make to make the Large Glass’s viewer think about what it meant.
In Tomkins’ paper he says that to some “’dedicated Duchampians’, the message of the Large Glass is anything but hilarious.” I tend to agree with them. I don’t think it’s that funny, to me it sounds pessimistic and very bitter. The explanations on the two sources add on to it to me, especially in Tomkins’ essay. While I don’t think Duchamp’s work is “destructive,” and it does make the viewer question what he was thinking, surely, and as I said, I do appreciate his work, experiments, and jokes. Other then the Large Glass, which I cannot bring myself to like.


(Image from http://www.tate.org.uk)

A lot of the designs are pretty symmetrical. All of them seem pretty ornate, especially if they're mosaics to decorate buildings. I really like paisley designs especially, I love how complicated and delicate they are. The lace is an interesting way to look at patterns with different textures and transparencies.

Gestalt

I've always enjoyed images like these just because not everyone does see both sides to what they could be. (i.e. the young and the old woman in the first example, the young woman and the man playing the saxophone in the second image.) It could actually be a good comment on what art is in general. Depending on the subject, art has different meanings to everyone- everyone can read into it in their own way.
http://web.educastur.princast.es/proyectos/jimena/pj_ciriacomh/asp1/investigacion/vermensajebb.asp?idmensaje=857

Economics

I've always said that I never wanted to work for Nike or any of those elite corporate sponsors with the sweat shops in some arm pit of a third world country. I think that's at least one value I'd like to stick to- try to stay away from sweatshop-backed places. Except now I might get this internship with American Girl Dolls this summer... those dolls are made overseas, don't know if the dolls and accessories are made in rightful conditions or not.
But who knows if a good enough opportunity came along? Wouldn't you be crazy not to take it? But isn't that what most people in those jobs could argue? That yeah, maybe they knew about what was going on behind the scenes negatively, but it was just too good of a chance to pass up. What if that opportunity gave you the chance to do things you really wanted to do- travel, choose your own projects, etc.
I'd like to think that I would retain enough ethics to turn it down.
I don't really know what I want to do as a job. I don't really want to just live on my art. I do want to make art and sell it, I just don't want that to be my only means of supporting myself. I want a "real job," too.

Yarn Exersize

As soon as we got over the initial "what the hell are we doing" feeling it was a lot of fun... I decided to avoid making knots and causing problems, and just made a man on the ground with my PINK (my favorite color!) continuing line... But it kept getting destroyed because people kept stepping on it. But I guess that's to be expected with installations. And the design kept changing. It was cool because I like to do drawings like that where I never pick my pen off the paper so the image is a bunch of knots all thrown together.
It's kind of like being in a big pink and white spiderweb. The knots are like bugs that have been caught and are ready for eatin'.
The whole thing kept growing and getting more and more intricate... If we would've kept going we probably wouldn't have been able to move around the room. I feel like people just let the string take them wherever and it turned out to be pretty random and all over the place.
If you look at just the positive space it's like if you were to connect the stars in constellations. It'd be kind of interesting to pick a piece of the web and have everyone say what the positive space looked like to them, such as a rectangle, or something more complicated liiike The Big Dipper or a spider web or Cat's Cradle or something.